Saturday, June 14, 2008

Cannon Fodder

wood-mounted cannon, cannonballs and ramrod


wooden hand cannons, cannon and poleaxes


cannon barrels and cannonballs


Landsknecht with poleaxes


Landsknechts firing large hand held cannon


Landsknechts and hand held cannons or early rifles


15th century cannon regiment equipment


Landsknecht with pike spear


wood-mounted cannon on wheels and cannonballs


light wheel-mounted cannon with wooden arms to connect to horse


selection of long barrel cannon components



wheel-mounted cannon and selection of cannon barrels


Landsknechts and series of large hand-held cannons


two heavy cannon barrels - 15th century


bombard barrel and cannonballs


decorative initials and details of naive 15th cent. armaments



illuminated initials and decorative marginal scroll work


The often obscure and complex path to the development of the cannon (and associated rifles, guns and artillery) is irrevocably linked to the invention of gunpowder. The modern consensus appears to regard the mixture of saltpetre (Potassium nitrate), sulphur and charcoal - gunpowder - as having first appeared in 9th century China. Ironically, the compound was produced by alchemists in their quest for immortality, although it's likely that trial and error experimentation brought them to this stage over centuries.

There is evidence that gunpowder was used in China in crude explosives and incendiary projectiles - such as the fire lance - for warfare in the 10th and 11th centuries, but the progression towards the modern version of the cannon was only made possible once the recipe for gunpowder had been exported along the trade routes of the Silk Road. The first (foreign) written references to gunpowder appeared in Europe in the 13th century in the respective works of philosopher theologians Roger Bacon and Albertus Magnus, and in the Islamic world by way of Syrian scholar, Hassan Al-Rammah.

"The place and time of the invention of the cannon is unknown, but its evolution from the fire lance among the Turks, Arabs and Europeans can hardly be doubted. In 1304, Edward I made no use of cannon at Stirling, although he ordered saltpetre for Greek Fire, but by 1341 the castle was defended by the Scots with guns. Edward built what is reputed the largest trebuchet ever made, called War Wolf, for the 1304 siege of Stirling, which threw 300-pound stones. The English fortress of La Réole in Gascony fell after a month's bombardment by cannon in 1324. Guns are reported at Crécy in 1346, but in a minor role.

The Venetians are said to have used cannon for a siege in 1380, as did Alfonso XI about the same time against the Moors in Spain. Poudre à canon is recorded in 1338. The Osmanli Turks used large cannon at the final siege of Constantinople in 1453, by which date the innovation was widely known in the West. The bombard of 3 ft calibre throwing a 600lb stone at Constantinople seems very large for the time, but apparently such large guns actually existed. The last battle of the Hundred Year's War, at Castillon in Gascony in 1453, where John Talbot, Earl of Shrewsbury, died, was decided by 300 cannon commanded by Jean Bureau. This was the first battle in which cannon were the deciding factor."

The splendid illustrations above are from a 500+ page paper and parchment manuscript produced between 1495 and 1515. It details the arsenal and artillery innovations of the Habsburg monarch, Kaiser Maximilian I, who was something of an enthusiastic scholar and patron to a wide range of intellectual as well as military pursuits. He is credited with the development of the portable cannon and the establishment of the respected mercenary pikemen regiments - seen in a few images above - known as Landsknechts.

If I've understood correctly, the manuscript was produced by Bartholomaeus Freysleben in the Regensburg district of Bavaria. The vast majority of this (unfinished) work displays cannon illustrations -- the sampling above is skewed towards showing the variety of images available rather than being a representative group, if you follow -- and many of the individual weapon types appear to be repeated with only minor background or cosmetic changes. Towards the back of the manuscript there is more in the way of decorative initials, elaborate marginal motifs and rare instances of gold leaf illumination.

Tuesday, June 10, 2008

The Bodleian Library Medieval and Renaissance Manuscripts

John Dee frontispiece - Kalender

Catalogue reference: MS. Ashmole 1789
Object: paper manuscript from England
Author: John Dee
Title: 'A Playne discourse and humble advise for our gratious Queene Elizabeth, her most Excellent Majestie, to peruse and consider as concerning the needful Reformation of the Vulgar Kalender for the civile yeres and daies accompting, or verifyeng, according to the tyme truely spent'
Date: 16th century
Image notes: frontispiece. 'Primi quadriui mysterium'. Coloured diagram. A triangular figure having sentences from Holy Scriptures inscribed in gilt letters on its blue border; within it is a planisphere of the Ptolemaic system.



MS. Auct. D. inf. 2. 13

Catalogue reference: MS. Auct. D. inf. 2. 13
Object: parchment manuscript [England and Holland]
Title: Book of Hours. Use of Sarum (known as 'Queen Mary's Psalter')
Date: late 15th century
Image notes: Introducing Terce (Hours of the Virgin). Full page miniature painted in demi-grisaille surrounded by decorated border. Flagellation. In a vaulted interior, Christ tied to the column in the centre. Three executioners around him brandishing whips. Scene viewed through arch.



MS. Ashmole 1504 (c)

Image description: Alphabet based on human forms.



MS. Ashmole 1504 (b)

Image description: Griffon and Greyhound. Two fierce-looking birds.



MS. Ashmole 1504

Image description: Plantain and Tansy. Deer, lion, stone fountain, well on hill, building.



MS. Ashmole 1504 (a)

Image description: Stylised floral design. Purple flowers. Parrot.

Catalogue reference: (for all four images above) MS. Ashmole 1504
Object: parchment manuscript [East Anglia, England]
Title: The Pattern Book
Date: 1520-1530



MS. Ashmole 391(5)

Catalogue reference: MS. Ashmole 391(5)
Object: parchment manuscript [England]
Author: Nicholas of Lynn
Title: Astronomical calendar, etc.
Date: late 14th century
Image notes: Zodiac man with signs of the zodiac associated with various parts of his body, on arrow-shaped particoloured ground. Text on either side.



MS. Ashmole 370 fol

Catalogue reference: MS. Ashmole 370
Object: parchment manuscript [England]
Author: Nicholas of Lynn
Title: Astronomical calendar
Date: ~1324
Image notes: Lunar volvelle.



MS. Holkham misc. 49

Catalogue reference: MS. Holkham misc. 49
Object: parchment manuscript [Italy]
Author: Giovanni Boccaccio
Title: Decameron
Date: 1460s
Image notes: Detail. Lower margin. Swan with knotted neck (weight hanging from his neck?), gold beams and scroll with motto 'LIE BIEN SECRETE'.



MS. Arch. Selden. A. 1

Image description: The first two rows depict six stages in the career of a successful priest-warrior (calmecac), similarly earned through captives and marked by gradations of costume and equipment. The priest-warriors are distinguished from the others by their blood-smears and hairstyles.

(1) (left) A one-captive priest-warrior: undecorated quilted cotton armour, unembellished shield, obsidian-studded club; (middle) a two-captive priest-warrior: undecorated white feather suit with back device, and ihuiteteyo shield decorated with eight balls of down, obsidian-studded club; (right) a three-captive priest-warrior: undecorated green feather suit with a pamitl-style back device, pointed war stick, and (as entitled from this rank upwards) sandals.

(2) (left) A four-captive priest-warrior: a costume of white circular spots on a black background, perhaps representing the night sky, with pointed hat, and a shield with a volute design; (middle) a five-captive priest-warrior: undecorated red feather suit with momoyactli back device, quauhtetepoyo (eagle-foot) design, obsidian-edged club; (right) a six-captive priest-warrior: coyote costume with matching animal-head helmet, cuexyo shield, war stick (the captive is recognizable from his curved labret and red headband as from the city-state of Huexotzinco). The remaining two rows of this page comprise two sets of imperial officers, with their titles (but the distinction between telpochcalli and calmecac training is no longer clear):

(3) Constables: four officers connected with death sentences and executions: 'Eagle Cactus Fruit', executing criminals in the marketplace; 'Keeper of the House of Darkness'; 'Keeper on the Edge of the Water'; 'Raining Blood'.

(4) Generals, each wearing the prestigious quetzallalpiloni hair ornament: 'Keeper of the House of Darts'; 'Keeper of the Mirrored Snake'; 'Keeper of the Bowl of Fatigue'; 'Keeper of the Worm on Blade of Maize'.



MS. Arch. Selden. A. 1 (a)

Image description: The founding of Tenochtitlan ("Prickly Pear Cactus Growing on a Stone"), capital city of the Aztec empire, on a rock at the centre of a crossway of clear water in an otherwise marshy region. The eagle, still the national emblem of Mexico, is an Aztec symbol for the sun. In the four quadrants (? wards of the city) are depicted the city's ten founders, including their leader Tenuch ("Stone Cactus Fruit") on the left nearest the centre. Below are two standard conquest scenes, each with a pyramid temple toppled and burning. Around the margin is the 51-year count of Tenuch's rule, calculable as 1325 to 1375.The signature and title of André Thevet, the manuscript's earliest owner in Europe, are added at the top.

Catalogue reference: (for both images above) MS. Arch. Selden. A. 1
Object: paper manuscript [Mexico]
Title: Codex Mendoza
Date: early 1540s

[previously: Aztec Mexico]



MS. Canon. Class. Lat. 186

Catalogue reference: MS. Canon. Class. Lat. 186
Object: parchment manuscript [Padua, Italy]
Author: Diogenes Laertius (Ambrogio Traversari - translator)
Title: Lives of the philosophers
Date: 1450s
Image description: Detail. Decorated initial 'P' with knotwork on gold ground.



Ms. Bodl. 990

Catalogue reference: MS. Bodl. 990
Object: paper manuscript [Lislebourg = Edinburgh, Scotland]
Author: Esther Inglis
Title: Les proverbes de Salomon
Date: 1599
Image description: Full-page engraving. Coat of arms with crowned and Order of the Garter insigna with motto 'HONI SOIT QVI MAL Y PENSE'.



MS. Laud Msc. 293

Catalogue reference: MS. Laud Misc. 293
Object: parchment manuscript [? England]
Author: Peter Lombard
Title: Commentary on St. Paul's Epistles
Date: early 13th century
Image description: Detail. Top left of the page. Arabesque initial 'P(avlus)' with foliated motifs in red and green ink.



MS Bodl. 764

Catalogue reference: MS. Bodl. 764
Object: parchment manuscript [England]
Title: bestiary
Date: ~1225-1250
Image description: Hedgehogs and grapevine; carries grapes on its prickles.



MS Ashmole 1511

Catalogue reference: MS. Ashmole 1511
Object: parchment manuscript [England]
Title: The Ashmole Bestiary
Date: 1200
Image description: Boat with three sailors lands on whale swallowing fish.



MS Digby 6

Catalogue reference: MS. Digby 46
Object: parchement manuscript [England]
Author: Bernardus Silvester
Title: Liber fortunae, also known as Experimentarius
Date: late 14th century
Image description: Euclid holding sphere and dioptra observing moon and stars; Hermannus holding astrolabe. Coloured drawing.



MS. Barocci 230

Catalogue reference: MS. Barocci 230
Object: parchment manuscript [Constantinople - Byzantine]
Author: Symeon Metaphrastes and others
Title: Menologion for September
Date: late 11th century
Image description: Title page with decorative cartouche.



Medieval and Renaissance Manuscripts in the Bodleian Library, Oxford.

The Medieval News blog printed a press release in relation to Oxford University's Bodleian Library and the institutional subscription site, ARTstor (announcement), whereby some 24,000 manuscript images are being made available to subscribers.

Additionally, a proportion of these images is accessible by the general public. While I was actively looking through this very impressive collection, the number of images available actually increased from 7,500 to over 8000.

I have so far only scanned through about 2000 of these. The above selection is a fair cross section of the types of material available. Perhaps 15% of the images concentrate on initials and margin motifs. There are Book of Hours, bestiaries, alphabet forms and calligraphy, astronomy and astrology, medical anatomy/botany, building drawings, miniatures and the very occasional binding. I am probably forgetting some. It appears that a number of manuscripts are nearly complete, while others have representative pages or details only.

The images are served via a LunarInsight browser and, although it's a bit cumbersome generally and somewhat finicky at the start, once you become familiar with it, it's quite a fine delivery system allowing for high resolution magnification. There are a number of ways to search, including keywords, and note that the system times out if you leave it for too long - I *think* about 15 minutes - which is only annoying if, like me, you try to go through the material systematically and wander down to the shops halfway through. You could spend weeks in this site.

The vast majority of the commentary accompanying the images above was taken from the notes provided by the Bodleian Library. Some of the images here have been slightly cropped and the colour saturation and brightness were tweaked a little at times.

I'm fairly confident I haven't seen any of these images before, so I believe this is a new (and very significant) release, and not simply a sampling from existing digital stocks. But of course, I see so much visual material continuously, it's sometimes hard to know. After the first dozen Zodiac Man sketches, for instance, they all tend to meld into one*.

*not really

Monday, June 09, 2008

Campus Life in 1600

frontispiece


tennis match in 1589


university ball game in 1600


sword play at the University of Tubingen


college quadrangle at the University of Tubingen


dining hall at Tübingen college, 1589


lecture theatre or college chapel


Tubingen University Library, 1600


campus grounds at Tubingen University, 1600


jousting games


grounds at University of Tubingen 1600


archery field - Tubingen Univ. Baden-Württemberg


quarterstaff and combat training - Tubingen 1589


'Illustrissimi Wirtembergici Ducalis Novi Collegis quod Tubingae quam Situm quam Studia quam Exercitia Accurata Delinateo' - (something vaguely approximating: An accurate depiction of the illustrious Duke of Württemberg's new college of study exercises at Tübingen)

This album of thirteen engravings of university life in Germany was designed by Johann Christoph Neyffer and the plates were produced by Ludwig Ditzinger somewhere between 1589 and 1600. All the sparse references to this work do describe them as engravings but they appear more like ink/wash drawings to my eye. Of particular note is the second image above showing an early depiction of (real) tennis.

The trouble with the modern education system is that there is far too little attention paid to jousting and quarterstaff combat.

Sunday, June 08, 2008

The Orchidaceae of Mexico and Guatemala

Laelia superbiens (close-up orchid flower detail)

Laelia superbiens (detail)



Brasavola glauca

Brasavola glauca



Laelia majalis

Laelia majalis



Odontoglossum hastatum - The Orchidaceae of Mexico and Guatemala

Odontoglossum hastatum



Sobralia macrantha

Sobralia macrantha



Stanhopea martiana

Stanhopea martiana



Barkeria spectabilis

Barkeria spectabilis



Catasetum maculatum - orchid from Guatemala

Catasetum maculatum



Cattleya skinneri - Guatemalan orchid

Cattleya skinneri



Chysis loevis - Mexican orchid

Chysis loevis



Tailpiece of Lady Grey of Groby

------"Nature breeds
Perverse, all monstrous, all prodigious things,
Abominable, unutterable, and worse
Than fables yet have feigned, or fear conceived,
Gorgons, and hydras, and chimeras dire." Milton
-Tailpiece of Lady Grey of Groby- : This was approximately how the (?)lithographic vignette was described in the adjacent text, which I didn't transcribe. I'm not certain, but I think the illustration was found or recommended by Lady Grey and was not actually produced by her. I have definitely seen this picture before but I don't recall the details. The fantasy scene is signed 'E. Lavdells' and is said to include - among other plant species - of a number of orchids.



engraved jungle scene - trumpet orchid

"The ants of Honduras, as it has been shown, turn to good account the long hollow stems of this singular plant; another purpose to which they are applied may be gathered from the Vignette, where an Indian child is seen sounding with all his might "an echoing horn", formed by merely cutting off the extremities. His companions emulate his musical ardour, but in their attempts to possess the materiel are interrupted by a catastrophe.

In such request are these vegetable trumpets among the wild urchins of Honduras, the plant yielding is called "the trumpet-plant," - an epithet that has suggested its specific name."


George Cruikshank vignette cartoon
"Those who have ever received a case of Orchidaceæ from the Tropics, know full well that the opening of it is attended with the most intense and feverish excitement: and those who have not been so fortunate, will be glad to gather some notion of such stirring scenes from the accompanying Vignette, - which, it is needless to say, is from the inimitable pencil of Cruikshank.

-If we read aright the address on that box, the cargo belongs to one of the most staunch and scientific collectors of his day, and we, therefore, only the more deeply deplore the calamity with which, it is but too clear his importation has been visited. The conduct of his people is, however, beyond all praise; and we earnestly pray that their gallant exertions may be crowned with triumphant success. It is indeed a cruel thing to expect Epiphytes, and receive only Cockroaches!! to see the very case which ought to have been richly stored with lusty Orchidaceæ, prove, upon opening, to contain nothing more than - "Lucifugis congesta cubilia blattis!!" [Virgil] "


'Begone, dull care..' - A figure of Mexican manufacture
A figure of Mexican manufacture

"Begone, dull care, I prithee begone from me." --Old Song.



James Bateman (1811-1897) came from a well to do family and was an enthusiastic hobby botanist from a young age. By the time he was pursuing a Bachelor of Arts degree at University, exotic orchid species were all the rage in horticultural circles, coinciding with the development of a successful cultivation regime for the British climate.

Part of the appeal for orchid enthusiasts of the era was the wide range of flowering species in the group and the diversity of locations in which the plants were found. If you wanted to impress your neighbour or friend with rare orchid species, it necessitated mounting expeditions to far away climes, a costly and potentially dangerous exercise that no doubt redoubled the romantic associations and general desire for specimens.

Bateman sponsored a number of orchid hunting trips to Central and South America and, together with relationships established with collectors in the tropical regions, he was able to have large numbers of unique orchid species brought back to England. As an avid life long hobbyist, Bateman actively set about propogating the plants in purpose-built facilities at his family estate. Horticultural experts were called in to help identify and classify the orchids, artists were commissioned to record them for posterity and Bateman began to write books about his botanical obsession.

Chief among his written output was a jumbo folio work on the orchids of Mexico and Guatemala, published for subscribers during the years 1837-1843. Only one hundred and twenty five complete copies were produced making this huge book one of the rarest among the orchid literature. As can be seen above, it's quite an eccentric book, mixing the descriptive scientific text and hand coloured flower illustrations with otherwise (seemingly) random or tenuously connected black and white vignettes, together with literary, humorous and anecdotal asides. Just my cup of tea.

All of the above images were extensively spot cleaned and there are a few more illustrations saved in the set not posted here.

 
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